Conrad Residence
Melbourne, Victoria, Australia
2025
Builder
Davies Henderson
Landscape
Paul Bangay
Photographer
Timothy Kaye

Introducing Paul’s own home, Conrad Residence exemplifies the studios ethos of producing restrained, layered, timeless residences that bring together Architecture, Interior Architecture, Interior Design & Furniture Design & Curation to create a unified vision.

"A blend of timeless and contemporary finishes and techniques create a serene and layered scheme in this elegant project" (Belle Magazine)
The façade is notable for its quietness; an elegant and robust street presence creates a sense of permanence. Although contemporary in expression, undertones of classical proportion and materials demonstrate a timeless design.
The overall aesthetic is restrained and contemporary, with a subtle richness of layering and tactility that brings a warmth and elegance. The aesthetic is one of contradiction, minimal yet rich; restrained yet bold; poised yet relaxed.

The primary suite employs a hotel-like degree of openness which exudes tranquility, created from a seamless flow between the bedroom, en-suite and robe by removing the visual transitions and material changes that typically occur between these spaces. Consistent timber floors and a refined material palette unifies the zones to create further visual restraint. Steel-framed windows and heavy linen curtains continue to enhance the European sense of sanctuary and warmth throughout the connected layout, perfectly complemented by a simplistic Frédéric Forest line drawing.

On a precise axis with the centre of the staircase is Paul’s study, a workspace designed as a retreat to nurture creativity that also functions as part library and part gallery. The space was informed by formal, symmetrical planning – tall vertical proportions are emphasised through steel framed windows, French doors, and material details. Although contemporary in character there is also a sense of classical European interiors, enhanced by the hand-applied silver leaf to the coffered ceiling and a considered selection of key classical furniture and lighting pieces, layered with a collection of books and sculptures.

The Conrad Residence is a house with two unified, yet subtly different identities – two sides of the same coin – evident in the transition from more formal and intimate rooms at the front of the house, to a more open and modern character at the rear.

The living, kitchen, and dining areas at the rear of the house reflect Paul’s ‘contradictory aesthetic’ taking on a more open and informal volume that suits their purpose and the north-facing orientation. In concert with this, the ceiling height increases, shifting the interior architecture to introduce minimal floor-to-ceiling glass sliding doors that capture the maximum amount of natural light and open to create a seamless connection to the garden and views beyond.